Isaiah Morris

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	<title>Isaiah Morris</title>
	<link>https://isaiahmorris.co</link>
	<description>Isaiah Morris</description>
	<pubDate>Sat, 04 Jan 2025 14:27:10 +0000</pubDate>
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		<title>Homepage</title>
				
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		<pubDate>Fri, 21 Jan 2022 05:46:29 +0000</pubDate>

		<dc:creator>Isaiah Morris</dc:creator>

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	Isaiah-Morris


	“experiential video artist, curator, and researcher”


	instagram
	email
	substack


scroll for more


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		<title>About</title>
				
		<link>https://isaiahmorris.co/About</link>

		<pubDate>Fri, 21 Jan 2022 05:46:29 +0000</pubDate>

		<dc:creator>Isaiah Morris</dc:creator>

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	Isaiah Morris is a London based, Australian born, new media artist, curator, and researcher.
The experience of aisthesis, the imagination’s formation, and how these change our perception of the Self, the World, and God, occupies much of his thought. He pursues this in three modalities: Image, Word, and&#38;nbsp;People. (And when not, he’s probably making Creme Brûlée.)
Isaiah has exhibited and performed worldwide—Australia, North America, Japan, Korea, and the United Kingdom—often in public and non-traditional spaces. He is concerned with how different environments affect the viewer's perception of what is real and what is not, blurring the lines between the tangible and the ethereal.
His collaborators include: New Balance (AU/KR), Red Bull (AU), Melbourne Music Week, Piknic Electronica, Focus Festival (UK), Renaissance Conference (UK), Reality Church San Francisco, and Sunday Screens. Isaiah’s live visuals have cast silhouettes on the likes of Peggy Gou, Carl Cox, Kate Ceberano, Chase and Status, Masego, Kaiit, Ben Klock, Tobiahs, and Rival Consoles. He has curated over 40 music events to support emerging artists (mainly via&#38;nbsp;New Kids) and, in 2017, he founded the No Vacancy Window to create exhibiting opportunities for video and motion-based artists.
Isaiah holds a Master’s in Christianity and the Arts (awarded the Relton Prize in Christian Doctrine and Distinction) from King’s College, London and the National Gallery. He is an Emerging Leader at the Centre for Cultural Witness and a Bill Snelson Young Ecumenist. His writing has appeared in Inkwell, Seen&#38;amp;Unseen, Art+Christianity, and the Journal for Interdisciplinary Theology. Currently, he is working on a book about a theology of LED screens.&#38;nbsp;

You can read his inconsistent meanderings at (re)figure.
 CV


	︎
	
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		<title>Image</title>
				
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		<pubDate>Fri, 21 Jan 2022 05:46:25 +0000</pubDate>

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	Image
	A translation of audible encounters into visual landscapes through Projection Mapping, VJing, &#38;amp; Light-based installations. 
Often seen at music festivals, cyberspace, &#38;amp; bespoke events.
	Collaborators Include: Star Wars, Red Bull AU, Vogue AU, New Balance, Sony AU, Untitled Group, Piknic Électronic, Melbourne Music Week, The Operatives, Strawberry Fields Festival, &#38;amp; Foreign Echo.&#38;nbsp;


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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/79ef1a832d9914104fc72aa1d5ad33185fe7212714351ad6ef755efeb14835c8/UrbanOasisBeachParty2018_2.jpg" data-mid="131323751" border="0" alt="Artist - Section 8, 2019" data-caption="Artist - Section 8, 2019" src="https://freight.cargo.site/w/1000/i/79ef1a832d9914104fc72aa1d5ad33185fe7212714351ad6ef755efeb14835c8/UrbanOasisBeachParty2018_2.jpg" /&#62;
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/da6b142ced47d86c5da645385dd54d3abcfb099877b97da35ec702d83a964c8c/StarWarsxRadioVelvet-Install3.JPG" data-mid="131323750" border="0" alt="Artist - Star Wars x Radio Velvet, 2018" data-caption="Artist - Star Wars x Radio Velvet, 2018" src="https://freight.cargo.site/w/1000/i/da6b142ced47d86c5da645385dd54d3abcfb099877b97da35ec702d83a964c8c/StarWarsxRadioVelvet-Install3.JPG" /&#62;
&#60;img width="1125" height="1780" width_o="1125" height_o="1780" data-src="https://freight.cargo.site/t/original/i/cf923160202a04d8dd2b5f0b23c33d21fec63bd7c31fc9cb2ac8f476c327eda0/MundiMundiBash-2022.jpg" data-mid="148083860" border="0" alt="VJ - Mundi Mundi Bash, 2022" data-caption="VJ - Mundi Mundi Bash, 2022" src="https://freight.cargo.site/w/1000/i/cf923160202a04d8dd2b5f0b23c33d21fec63bd7c31fc9cb2ac8f476c327eda0/MundiMundiBash-2022.jpg" /&#62;
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&#60;img width="1875" height="1250" width_o="1875" height_o="1250" data-src="https://freight.cargo.site/t/original/i/71b5065de2301f0f56f5c375af5d238b8dd814d228b11e253db2252720c8081d/46739330_2056373857716202_854119757945765888_o.jpg" data-mid="131323708" border="0" alt="VJ - Melbourne Music Week, 2018" data-caption="VJ - Melbourne Music Week, 2018" src="https://freight.cargo.site/w/1000/i/71b5065de2301f0f56f5c375af5d238b8dd814d228b11e253db2252720c8081d/46739330_2056373857716202_854119757945765888_o.jpg" /&#62;
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	Experimental Projects
	An attempt to push the intersection of digital euphoria and human connection.


&#60;img width="576" height="1024" width_o="576" height_o="1024" data-src="https://freight.cargo.site/t/original/i/19c8b9a96cc708686eb3ca37308388fe207e2ed01930bc4749f6bf6f2c417166/DocG.gif" data-mid="224024738" border="0" alt="docG, 2020" data-caption="docG, 2020" src="https://freight.cargo.site/w/576/i/19c8b9a96cc708686eb3ca37308388fe207e2ed01930bc4749f6bf6f2c417166/DocG.gif" /&#62;
&#60;img width="576" height="1024" width_o="576" height_o="1024" data-src="https://freight.cargo.site/t/original/i/136d11ba1b54e47d0ed47cbd017c6b15383f347feb7e8026d7120160efb8ea46/SeeingYouSeeingMe_DEMO.gif" data-mid="224024736" border="0" alt="Exhibition in collaboration with: docG, Aki Yaguchi, Itgel Ito, Lotte Frances, Elle Shimada, Ja_KeepItMoving, Brigid Stafford, 2020" data-caption="Exhibition in collaboration with: docG, Aki Yaguchi, Itgel Ito, Lotte Frances, Elle Shimada, Ja_KeepItMoving, Brigid Stafford, 2020" src="https://freight.cargo.site/w/576/i/136d11ba1b54e47d0ed47cbd017c6b15383f347feb7e8026d7120160efb8ea46/SeeingYouSeeingMe_DEMO.gif" /&#62;
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&#60;img width="480" height="853" width_o="480" height_o="853" data-src="https://freight.cargo.site/t/original/i/33bb28f005b3c239b7dd7810ce26be27bafe680469a1c5a0fe8c48d249820f7a/Tobiahs_Running_AR.gif" data-mid="131323835" border="0" alt="Tobiahs, 2020" data-caption="Tobiahs, 2020" src="https://freight.cargo.site/w/480/i/33bb28f005b3c239b7dd7810ce26be27bafe680469a1c5a0fe8c48d249820f7a/Tobiahs_Running_AR.gif" /&#62;
&#60;img width="576" height="1024" width_o="576" height_o="1024" data-src="https://freight.cargo.site/t/original/i/bcc671caaf3cc31aabdcaa1543bea022869fd526b8a8701e787727006ac4ad9e/Aki-x-Puma.gif" data-mid="224024737" border="0" alt="Aki Yaguchi x PUMA AU, 2021" data-caption="Aki Yaguchi x PUMA AU, 2021" src="https://freight.cargo.site/w/576/i/bcc671caaf3cc31aabdcaa1543bea022869fd526b8a8701e787727006ac4ad9e/Aki-x-Puma.gif" /&#62;
&#60;img width="576" height="1024" width_o="576" height_o="1024" data-src="https://freight.cargo.site/t/original/i/1cf0c8fa5da47dcc5b2e1721ed1d514508ce089ed65f20222426aeb6c2830a82/Stache_Demo.gif" data-mid="224024739" border="0" alt="Stache Hair (with Josh Space), 2020" data-caption="Stache Hair (with Josh Space), 2020" src="https://freight.cargo.site/w/576/i/1cf0c8fa5da47dcc5b2e1721ed1d514508ce089ed65f20222426aeb6c2830a82/Stache_Demo.gif" /&#62;

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	<item>
		<title>Word</title>
				
		<link>https://isaiahmorris.co/Word</link>

		<pubDate>Fri, 21 Jan 2022 05:42:20 +0000</pubDate>

		<dc:creator>Isaiah Morris</dc:creator>

		<guid isPermaLink="true">https://isaiahmorris.co/Word</guid>

		<description>


	Word
	A trial in articulating with theological language the sub-cultures I find myself within: New Media Art, Clubbing, and the Church.
	

	Written


London’s Newest Theologian: the Real Housewives of Clapton — Seen&#38;amp;Unseen (May ‘25)

The Spirit Poured Out on Banality? Toward a Public Visual Theology of Australian Pentecostal Church Architecture — Society for Pentecostal Studies (March ‘25)

What Happens After the Christian Art’s Conference? — Ekstasis (February ‘25)

The Rave: A Last Bastion of Hope? — Seen&#38;amp;Unseen (January ‘25)
Ecumenism, Rome, and Friendship — Churches Together England (September ‘24)

The Creational Gaze: Marina Abramovic and Galatians 5 — The Journal for Interdisciplinary Theology (March ’24)
Reviews

Makers By Nature by Bruce Herman — Art and Christianity (Issue 112, Summer 2025)
I write somewhat regularly over at (re)figure
	
Spoken


Week of Prayer for Christian Unity (@10:15)
— Premier Christian Radio (January ‘25):
Transcript
Prophesy Like a Child — King’s College, London (January ‘25)
Life Immersed in Art — Future History Podcast (December ‘23)


Press
New Balance Grey Day —
Sneaker Freaker (May ‘23)

Get to Know Square Up Artists —
Acclaim Magazine (May ‘21)

Melbourne Artists Team Up During Lockdown — Acclaim Magazine (’20)

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	<item>
		<title>People</title>
				
		<link>https://isaiahmorris.co/People</link>

		<pubDate>Mon, 18 Jul 2022 02:53:12 +0000</pubDate>

		<dc:creator>Isaiah Morris</dc:creator>

		<guid isPermaLink="true">https://isaiahmorris.co/People</guid>

		<description>


	People&#38;nbsp;
	Curating spaces for human connection, and friendships that become collaborators.


	&#60;img width="700" height="1080" width_o="700" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f7b33f374ea70deb8ad7c2abdd0e405ad2f336e4a2b04a2b977b579bfc792f61/NewKids_Polaroids_3.gif" data-mid="148085356" border="0" data-scale="80" src="https://freight.cargo.site/w/700/i/f7b33f374ea70deb8ad7c2abdd0e405ad2f336e4a2b04a2b977b579bfc792f61/NewKids_Polaroids_3.gif" /&#62;
	
New Kids (2019)
80+ Local Melbourne Artists; 2 international acts; 37 consecutive weeks.
@Newkids.melb was created to bridge-the-gap between genres, scenes, communities and humans of Melbourne. Where collaboration occurs, artistic ingenuity emerges. From Indie-Rock, to techno, ProtoMoro jamming for 2 hours, to helping @poly.connection throw their first event, this was a place to meet new friends and re-kindle old; an invitation to communicate across sounds.


	No Vacancy Window (2017-18)

The No Vacancy Window is an unconventional experimental video site.
Emerging artists are invited to create a site-specific work that challenges the notion of what 'video' is. Working within physical&#38;nbsp; constraints, how far an artist can push the space, is a testament to their ability as an individual. All the while providing the audience with a looking glass into the future of Melbourne Artists, and their ideas.The No Vacancy Window invites emerging artists to create a site-specific work encapsulating and translating Melbourne's political, social and environmental landscape, into a video based work.

	&#60;img width="700" height="1080" width_o="700" height_o="1080" data-src="https://freight.cargo.site/t/original/i/12e197489fcef83bf39deb234562604cc1a70a9a6d5e7069b75abcd945762362/NoVacancy-Window.png" data-mid="148085669" border="0" data-scale="79" alt="Exhibited: Isaiah Morris - Letting Go" data-caption="Exhibited: Isaiah Morris - Letting Go" src="https://freight.cargo.site/w/700/i/12e197489fcef83bf39deb234562604cc1a70a9a6d5e7069b75abcd945762362/NoVacancy-Window.png" /&#62;
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	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://isaiahmorris.co/Contact</link>

		<pubDate>Sat, 04 Jan 2025 14:27:10 +0000</pubDate>

		<dc:creator>Isaiah Morris</dc:creator>

		<guid isPermaLink="true">https://isaiahmorris.co/Contact</guid>

		<description>let’s talk... email me x</description>
		
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